| Funding + Support |
| Filmmakers |
| First Break |
| Breakout |
| Production Subsidies |
| Indigenous Support |
| Out-There + Deadly |
| Indigenous Breakthrough |
| ArtStart Young Screenwriters Program |

First Break is for emerging filmmakers*. The First Break agreement will be exclusively between the director and Metro Screen. The applicant may be either the writer/director or a director and writer team where the director has been assigned all rights to the script to be developed and produced through the First Break program.
Ten projects of up to 10 minutes duration will be selected with three places awarded to applicants from Aboriginal or Torres Strait Island descent, three places for applicants from a multicultural background and one place awarded to an applicant from regional NSW**. Drama, doco, animation, series pilot, experimental, cross-platform will be considered.
*Both the writer and director must not have a produced screen credit in their respective roles, that has been released, broadcast or screened at a recognised film festival.
**Travel costs and accommodation for attending Sydney workshops will be provided.
First Break is generously supported by Screen NSW and Screen Australia.
“Metro Screen have been great, to know that you can come in and someone will spend 15mins on some little problem you are having really made the difference. To have people that could point you in the right direction, ask you if you had thought of this or that, put you in touch with others that could help and give you other short films to watch as a point of reference was incredibly supportive.” 2011 BREAKS filmmaker John Tsioulos
Successful applicants MUST;
[For a detailed explanation of the below materials please consult our Breaks Application Assistance page]
Applications are assessed by Metro Screen’s Projects Manager and a panel of industry representatives.
Enquiries: Metro Screen’s Productions and Projects Manager David Opitz – 02 9356 1818 or d.opitz@metroscreen.org.au
“Metro Screen has been extremely helpful in getting this film made, obviously it wouldn’t have been possible without them, but every step of the way I don’t think everything would have come together without their support. If I had a problem with say my sound gear I could call up the hire department and they’d have the answer straight away. And if there was a script problem I could call up David Opitz and he gave ideas. It’s just really nice to have all these people who are there with a well of ideas to help you through anything you need. It’s been a real asset and I think it is for any filmmaker.” 2011 BREAKS filmmaker Miles Szanto
'Dust Up' - Richard Jameson [Writer/ Director]
'The Biggest Port' - Elizabeth Wymarra [Writer/ Director] - Short Film Festival, SA- 2011, Message Sticks-2011
'Aesop’s Way' - Mitchell Stanley [Writer/ Director] - Short Film Festival, SA- 2011
'Naked Lady' - Cennet Serce [Writer/ Director] - LA Shorts Fest.-2011,Canberra Short Film Festival-2011, Bagdad International film festival.
'Henriette' - Katarina Mandic [Writer/ Director] - Vale Film Festival Col. USA -2011
'The Traveller' - Vijay Boothalingam [Writer/ Director] - finalist, Western Union Short Film Competition, Indian Film Festival 2011.
'Something Fishing' - Kristy Best [Writer/ Director] - Official selection VAIL Film Festival 2011. - Dungog Film Festival 2011,LA Comedy Shorts-2011,DC Shorts (USA)-2011,Cornwall Film Festival in the Reel Women Section-2011, The Friars Club Comedy Film Fest in New York- 2011 The Connecticut Film Festival- 2011
'Sal' - Ben Brink [Writer/ Director]
'Abbie' - Erin Good [Writer/ Director] - picked up by QANTAS, Gangrene Comedy Film Festival in Utah and Atlanta Shortsfest.
'Gone' - Josh Mawer [Writer/ Director]
'The Burnt Cork' - Alexandra Edmondson [Writer/ Director]
“It was a great confidence booster that an institution like Metro Screen picks up your script and says we’ll put our time and effort into that. Throughout the process they really nurtured, they didn’t hang over your shoulder and check what your doing all the time, they gave you the reigns and let you run with it, and really entrusted you with it. And that encourages you to deliver high quality, you know they are not babying you, not pressuring you and so you just want to give back a really good product.” 2011 BREAKS filmmaker Jo-Anne Brechin